One of the neat things to come out of the techno contra movement is a renewed focus on a medley format, in some form or another -- in other words, a less broken-up format in which the music is more continuous and the dances/partners change up independently of this, to more reflect a club-like atmosphere where the music continues all night without lulls between sets. I've heard of three main categories of this style of event as practiced in the contra dances and events I've been to, each with their own pros and cons. So, in no particular order....

 
 
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Photo from www.davecolestock.com
A couple of weeks ago, the crossover contra concept spread to Harrisburg, PA by way of an evening event called by Dave Colestock with music by dJ improper. I caught up with Dave online and asked him about the experience.

Dave says, "I was familiar with the concept [of techno contra], having called a techno slot during a gender free dance I called in New York City in 2010. In October of 2010, during a Halloween dance I called at Locust Lane, I incorporated an extended mix of 'Flashlight' by Parliament. The group really enjoyed it. Two months later when I called the Friday Night Dance at Glen Echo on January 14, 2011, with the Open Band, I was asked by Penelope [Weinberger, Contra Sonic organizer] to add a techno dance to the program, sorta at the last minute, as the Contra Sonic event was upcoming in the following week. So, I called a single techno dance mix that night that was made by dJ improper, as the first dance of the second half of the that night's program."