• Home
  • Blog
  • Forum
  • Twitter
  • YouTube
  • Facebook
  • Resources
  • Workshops
  • Street Team
  • Code of Ethics
  • Friday Flourishes
  • Contact
  Contra Syncretist
Connect with Contra Syncretist!

Techno ECD

7/17/2013

 
Months ago on the Forum, I wondered what trance ECD might be like. Looks like at least one group has experimented in that vein...this is from a party in New Jersey early this year with Phase X:
Anyone else danced ECD to alternative music? What did you think of it?

Confessions of a Former Cool Hip Dancer, Part 2: You Only Get What You Give

7/15/2013

 
Picture
The older I get, the more I’m convinced that adulthood is at least partly about finding your community -- be it the members of your household or your “tribe” that you hang out with. When I left off in Part 1, I’d found mine, and it was awesome.

A couple of years later (circa 2010) my body started to decide that it was no longer willing to be as cooperative as it had been to date. I had a lengthy battle with bronchitis (that wasn’t diagnosed as such until a couple of months in), my other knee decided that it would start filing grievances with my body on a regular basis and as such I needed to wear another knee brace, and then later my lower back did something weird in late 2011/early 2012 that has meant my deep-dipping days are mostly behind me at this point, with rare exceptions (but man, they were fun while they lasted).

A little later on, I was saving up for a trip abroad and was unsteadily employed, so the trips to the diner fell away in the name of saving money. Unfortunately, the ongoing health issues also meant that I couldn’t keep up with the hot-shot line anymore, at least not consistently. I started dancing in the other lines more regularly, and meeting new folks that way (including a few who made surprised comments that I wasn’t dancing over in the far line). A few of the folks I used to dance with in the cool hip dancer line still sought me out, but most of them stayed over in the cool hip dancer line, dancing with each other, and I didn’t get to see them unless there was a gender imbalance, I was sitting out, and they were scraping the sides of the room for partners.

I'll be blunt: at first, this really stung. The folks I had thought were my friends didn’t ask to dance with me anymore, and they no longer even asked if I wanted to go to the diner anymore. I actually considered quitting contra at that point, since a lot of the appeal had been that community and my inclusion in it.

Somewhere around this point I was having a pity party for myself (complete with tiny violin solo) and Steve metaphorically smacked me upside the head: “When was the last time you asked them for a dance?”

Took me a little bit, but as much as I hated to admit it, he was right. In waiting for them to ask me, I’d been taking on a really awful attitude, and that was really not helping anything at all. Who the heck was I to demand that they bridge the gap instead of attempting to do so myself? They certainly didn’t owe me anything and while I certainly hadn’t thought of it that way, I could see where this interpretation of my lament had some legs. After this forehead-smacking “Aha!” moment, I resolved to make more of a point of seeking them out at least some of the time, instead of waiting for them to come to me like they had before.

It’s harder to get dances with a lot of the folks who used to be my regular partners as a lot of them book way ahead these days, and I’m pretty sure I pushed some of them away when I stopped going to the diner/stopped dancing in the far-left line because of the aforementioned bodily rebellion, but the frequency of my being able to dance with those friends went up once I got over myself and went over and asked them, rather than waiting for them to ask me most of the time. (There are some that I finally wrote off asking after being deferred indefinitely several weeks in a row -- I can take a hint, and I didn’t and don’t want to be a pest -- but many I still dance with at least sometimes.)

After six years and counting of dancing, even after the health issues resolved, I have unfortunately never been able to get my 22-year-old body back. Consequently, I now frequently steer folks I used to dance with into other lines where I run into less consistently vigorous/flourishy neighbors, but when I head over to the really vigorous line, I make a point of being able to keep up -- and I try and make a point of asking the folks who usually dance there to partner me as well. I’m accepting this in the interest of being able to dance for many more years (hopefully with at least some flourishes thrown in) and remain active in the contra community.

In the meantime, I’ve expanded my circle of “regular partners” and that’s all been to the better -- just through partnering them, the not-flourishy dancers are teaching me style points among other things, too, which are actually making me a better flourisher when I dance with the flourishy folks. We nurture the connections in different ways, kind of like when you have some friends you go hiking with, and others you go see movies with.

At this point I’ve established myself enough as a dancer who doesn’t have a “usual” line anymore that I’ve stopped getting the “what are you doing over here?” questions. I’ve been able to make more friends who aren’t exclusively in that line and while it’s been ages since I’ve been out to the diner (that whole hour-plus-each-way commute to work I mentioned in another post saps a lot of the energy I regained when I got better, and I’ve come to accept that), I’ve still found other ways to maintain the feeling of fellowship and camaraderie that have made me stay part of this community.

So my story has a happy ending. But it’s also a cautionary tale -- before you complain that “the cool hip dancers” won’t dance with you, ask yourself: when was the last time you went and asked them for a dance?

(And incidentally -- if you see me at an event, please do ask me to dance, whether we’ve met before or not, whichever role you’d rather dance, as I’ll dance either one or dance switch. Chances are good that I’ll say yes to an invitation to dance, whether you’re a Cool Hip Dancer or not -- and I’ll be making a point of asking around, too.)

Related Link

  • Rebecca Brightly, “Why Aren’t the Cool People Talking to Me?” 

Confessions of a Former Cool Hip Dancer, Part 1: Popular

7/10/2013

 
Picture
So, I’ll admit it. My name is Ryan and I used to be a cool hip dancer.

I started out innocently enough. I had reached a point in my life in my early twenties where I needed to get out of the house and Google told me that there was a local weekly contra dance about 20 minutes from my apartment on Friday nights. I had decided that since I didn’t know anybody there, if I made a complete jerk of myself I’d just have a self-effacing story to tell and I wouldn’t go back. Worst case scenario: no harm, no foul, new story to tell.

So I went. And people actually wanted to dance with me (to my pleasant surprise). Probably made a jerk out of myself a few (dozen) times in that first evening of contra, but the endorphin rush was enough to overpower the sense of having muscles that hurt that I didn’t know I had and, armed with ibuprofen and a bandanna to keep the sweat out of my eyes, I headed back the following week.

And the week after that….

And the week after that….

After a couple of months of regular attendance, I started getting invited out to the diner after the dance. And I went, regularly, for a couple of years. And there were like 20 of us who went out regularly, ages 16 to 60+ but mostly in the 20s-and-30s range. And as time went on, I found myself dancing with my friends, and more and more often that landed me in the far-left line in the hall...the one that had the most vigorous dancing, the one that skewed the youngest demographically, the one that contained several of the folks that I had been going out to the diner with for the past several months. It wasn’t that I was intentionally seeking it out, more that that’s where I ended up, more often than not.

And since I was over there, it became a self-perpetuating cycle: I went into the far-left line, I danced, I got asked to dance by one of my neighbors, we stayed in that line for the next dance, I got asked to dance by one of my neighbors, we stayed in that line…until the entire night had passed that way.

That was how I spent several months, and I had no particular issue with it. I danced with newbies if they ventured over, but by and large I was dancing with experienced dancers and got pretty good at following their leads (and learning to back-lead some of my own). I nourished the connections with my partners (and some of my neighbors) through flourishes, and life was hunky dory as far as I was concerned. I had friends who were in my general age cohort (and a few who weren’t) who seemed to like me and seek me out, I had a community, and I had dance partners for any dance I opted . I felt like I’d come home, and it was really fun feeling like one of the “cool” kids for the first time in my life.

To Be Continued....

Contra Dance vs. Mosh Pit

7/3/2013

 
Temperatures have climbed and the lack of climate control at some venues has become apparent. It occurred to me the other night as I was dancing in the crowd at Glen Echo that in some ways, a crowded contra event can strangely resemble a mosh pit. To wit:
Infographic: How Contra Dance Can Be Like a Mosh Pit
Can you think of any ways that I might have missed? Let me know!

Album Review: ContraForce, Rise of the Folk Organism

7/1/2013

 
Picture
ContraForce (Andrae Raffield, Jimi Peirano, & Joey Dorwart) is one of the newer fusion bands on the scene; originally from South Carolina, they've been touring up and down the East Coast and making a splash wherever they go. They released their album, Rise of the Folk Organism, earlier this summer.

"Werrwoulph" opens the album with an eerie feel and some very high-pitched fiddle and some rather stark instrumentation with the howl of the electric guitar featured rather prominently with what sounds an awful lot like a distortion pedal. By the time this track hits its stride, it seems to bleed into noise-band territory (which might just be the mixing), but regardless is a surprising opening to a contra dance band's album and sets us up for what will undoubtedly be an unusual ride.

"Roof'n'all-EazySleazy" takes off like a shot and has the feel of an old Western mixed with a wah-wah pedal, which becomes more prominent as the track goes on but then fades back into the fiddle-heavy hornpipe with the funky drumbeat behind it.

In contrast, "No Need" slows way down and is soft and subtle like improvised jazz, or blues. Something in the background sounds like dripping water on this track, and this helps to lend it the feel of a mood piece more than anything else.  All that said, this track grew on me to become one of my favorites on the album.

"Dr. Know" opens feeling like a salsa piece, in contrast to the slower pace of the previous track and felt a bit like a celebratory, coiled spring that released its energy in a really fabulous way. Also notable is that this track did not noticeably use the distortion pedal as much as the other tracks on the album thus far.

The tracks are interesting, but for a CD I personally think they feel a little long. However, this probably was meant to mimic the experience of dancing/hearing them live, so I don't necessarily think this is a drawback per se.

Overall, I felt like the album as an album had an issue with pacing, and seemed as though it couldn't make up its mind what it wanted to be. Individual tracks, on the other hand, were really interesting and taken together showed the breadth and variety of which ContraForce is capable, which is really neat to see. I'm looking forward to seeing what else comes from them in the future.

More information about ContraForce can be found on their website. Rise of the Folk Organism is available on NimbitMusic.
    This project has concluded as of mid-2013 (with an epilogue posted mid-2016) but we hope to see you soon on a contra dance floor! Meanwhile, head over to our Facebook page for upcoming techno contra events and other items of interest.

    The 100+ Friday Flourish videos can still be found on YouTube.

    Author

    I dance with abandon. I play with glowsticks. I look for music that is conducive to one or both. I play behind cameras.  I write about all of the above. I'm based in Glen Echo's contra dance community outside of Washington, D.C., but I'm happy to go dance afield when I can. Lather, rinse, repeat. Always repeat.

    Archives

    June 2016
    July 2013
    June 2013
    May 2013
    April 2013
    March 2013
    February 2013
    January 2013
    December 2012
    November 2012
    October 2012
    September 2012
    August 2012
    July 2012
    June 2012
    May 2012
    April 2012
    March 2012
    February 2012
    January 2012
    December 2011
    November 2011
    October 2011
    September 2011
    August 2011
    July 2011
    June 2011
    May 2011
    April 2011

    Categories

    All
    Aaron Marcus
    Advanced Dances
    Alan Foss
    Album Review
    Alex Krogh-Grabbe
    Allemande
    Allemande Swing
    Alternative Music Party
    Alternative Twirl Out From Promenade
    Andrew Marcus
    Andrew Vannorstrand
    Andrew Van Norstrand
    Andy Reiner
    Anna Kendrick
    Anna Rain
    Anne Midgette
    Ann Fallon
    Arlington Va
    Ascap. Bmi
    Asheville Nc
    Atlanta Ga
    Back Lead
    Backward Swing
    Backward Swing With Lasso
    Balance And Play
    Balance-&-swing Transition
    Balance Switch
    Bates College
    Beatles Contra
    Behind-the-Back Swing Variant
    Bennett Schatz
    Bev Bernbaum
    Binary Blackout
    Blaise Thompson
    Blogger
    Blogger's Soapbox
    Blogger's Soapbox
    Blogger’s Soapbox
    Blues
    Brendan Carey Block
    Brendan Taaffe
    Brian Hamshar
    Burning Man
    Cake
    California Twirl
    Caller
    Call For Submissions
    Cha-cha Slide
    Chaos Lines
    Chattaboogie
    Chelsea Co
    Choreography
    Chrissy Fowler
    Christopher Jacoby
    Christylez Bacon
    Claps
    Clark Baker
    Club Contras
    Community
    Connie's Whirl
    Consent
    Content
    Contra Evolution
    Contra Evolution.
    Contra Evolution. Greenfield Ma
    Contraforce
    Contra-phoria
    Contra Shenanigans
    Contrashock
    Contra Sonic
    Contrastock
    Cool Hip Dancer
    Copyright
    Costuming
    Courtesy Twirl
    Cover Bands
    Crabs
    Crowding
    Cuddle Swing
    Cuddle Swing Switch
    Cuddle-up California Twirl
    Culture Clash
    Cups
    Dana Parkinson
    Dance Experiment
    Dancers
    Dance Weekends
    Dancing In Small Spaces
    Dancing Switch
    Dan Kappus
    Dave Colestock
    Dave Eisenstadter
    Dead Cat Bounce
    Decadance
    Deca-dance
    Deca-dance Event
    Demon Barber Roadshow
    Diane Silver
    Dj
    Dj Fml
    Dj Gaga
    Dj Improper
    Dj Nu B
    Dj Shel D
    Dj Solar Sound
    Donna Hunt
    Do Si Do
    Double Allemande Swing
    Double Apex
    Double Twirl Under
    Doug Plummer
    Ecd
    Ed Howe
    Editorial
    Eileen Thorsos
    Elbow Swing
    Electric Camel Contra
    Electric Slide
    Electrotrad
    Elyse Marder
    Eric Harris
    Eric Johnson
    Fads
    Fiddlefoxx
    Firecloud
    Flash Mob
    Flourishes
    Flurry Festival
    Flying Swing Switch
    Follow
    Footfall
    Footworks
    Fox News
    Fremont Abbey
    Friday Flourish
    Gangnam Style
    Gate
    Gaye Fifer
    Gender Balance
    Gender Free Contra
    Gender-free Contra
    Gender Roles
    Gents Chain
    Gents Swing
    George Marshall
    Gerry Diver
    Giant Robot Dance
    Giant Swallow Motion
    Glen Loper
    Glossary
    Greenfield Ma
    Greenwood Va
    Gypsy Meltdown Twirl
    Hank Morris
    Hay For Four
    High Ceilidh Swing
    High Ceilidh Wing
    High Contrast
    Hip-hop
    Hiphop Contra33bdaf614f
    History
    Housekeeping
    Infographic
    Intergenerationality
    Jack Mitchell
    Jamie Oshima
    Jayjfresh02b2d7b2bf
    Jeff Kaufman
    Jesse Edgerton
    John Cote
    John Pranio
    Jordy Williams
    Julie Vallimont
    Ladies
    Ladies Chain
    Ladies Chained9d7891b2
    Lead
    Lewiston Me
    Licensing
    Lighting
    Lights
    Links
    Lisa Greenleaf
    Live At The Butterball
    London Bridge Hay
    Long Lines
    Louis Dow
    Low Ceilidh Swing
    Macarena
    Madonna
    Marketing
    Marlin Prowell
    Martin Hayes
    Martyn Bennett
    Medley
    Melissa Taggart
    Mel Novner
    Mens Chain
    Miami Fl
    Michael Ferguson
    Midswingc4f63a1de0
    Midswing Spinoutb14a07051c
    Midtwirl Reverse8b8dd124c4
    Mike Wilson-jones
    Miriam Baker
    Misdivine
    Money Musk
    Moral Issue
    Morris
    Mosh Pit
    Music
    New Dancers
    News Coverage
    New York Ny
    Nils Fredland
    Noah Van Norstrand
    North Carolina
    North Whitefield Me
    Organizer
    Other Syncretists
    Outreach
    Over The Head Slide
    Parallel Variant On Crabs
    Pattycake
    Paul Dalessio5fc83e8cd1
    Pawbat Twirl3677eefc75
    Penelope Weinberger
    Perpetual E Motion
    Perpetual Emotionab4aa3ee79
    Perry Shafran
    Petronella
    Phase X
    Portland
    Portland Or
    Pretzel Swing
    Principle
    Promenade
    Ray Polhemus
    Redux
    Resolutions
    Reverse Cape Position
    Reverse Courtesy Turn
    Reverse Ripcord Twirl Variant
    Rick Mohr
    Ripcord Twirl
    Road Stories
    Roanoke Wv
    Roll Away
    Rollover
    Ross Harriss
    Rss Feed
    Safety
    Sarah Dicegoldberg38fd311c67
    Scout House
    Sean Oshima
    Seattle Wa
    Sesac
    Seth Tepfer
    Seventeen
    Shiny Objects
    Simple Twirl Switch
    Singing Squares
    Skaters
    Sonny Newman
    Soulja Boy
    Sound Mixing
    Spark In The Dark
    Spider Vetter
    Spinout
    Spokane Wa
    Stanford Ca
    St Petersburg Fld35dde8e84
    Street Team
    Stretches
    Survey
    Swallowtail
    Swing
    Switch
    Technoberfest
    Techno Contra
    Technophoria
    Ted Hodapp
    Terpsichore
    Terra Price
    The Henry Road Bandits
    The Matt Blackfield Project
    The Speech Project
    The System
    The Turtle Duhks
    Things To Think About
    Tobacco Road
    Toki Oshima
    Tradeoff Twirl
    Transsiberian Orchestra6b3cf55bca
    Traveling Swing
    Tricky Swing
    Turn Under
    Twirl
    Twirl In Switch
    Twisted Swing
    Twisty Chain
    Twitter
    Two Handed Ladies Chain
    Ufo
    Uk
    Variety
    Vernals4785e4f52b
    Vicki Herndon
    Videos
    Vince Budnick
    Waltz Variant On Crab Swing
    Washington Dc
    Wendy Graham
    Whipperstomper Balance
    Whipperstompers
    Whitefield Me
    Will Mentor
    Willow Grove Pa
    World
    Xecd
    Youth Dance Weekend
    Yuja Wang

    Comments are welcome; spam-bots and disrespectful behaviors are not. Please do (nicely) point out errors if they are found.
Powered by Create your own unique website with customizable templates.
Photos used under Creative Commons from edwin.bautista, Cupcake KITSCHen, Ivy Dawned, Martin Pettitt, quinn.anya, LimeTech, avlxyz, Sarah and Jason, Bill Ward's Brickpile